Ralph Pezzullo is the New York Times and international bestselling author of THE GREAT CHINESE ART HEIST, and award-winning playwright and screenwriter. He is also the host of the popular podcast “Heroes Behind Headlines,” which ranked #8 on Apple Podcasts. The son of a U.S. diplomat, he grew up all over the world. After receiving a master’s degree in International Affairs, he worked on Capitol Hill and later as a correspondent for Associated Press, covering assignments in Latin America and creating relationships with other diplomats, political leaders, CIA agents, and military officers worldwide.
President Donald Trump's recent implementation of sweeping tariffs has sent ripples through various sectors of the U.S. economy, with the book publishing industry poised to experience significant impacts. The administration's decision to impose a 25% tariff on goods from Mexico and Canada, along with a 10% increase on imports from China, directly affects the publishing sector, which relies heavily on international supply chains for printing and materials.
Elisabeth Ovesen is the New York Times bestselling author behind CONFESSIONS OF A VIDEO VIXEN, the Vixen Series, and Karrine Steffans pen name. She has published with HarperCollins Publishers and Hachette Book Group. She was featured in countless magazines and newspapers and on television and radio shows worldwide. Oprah Winfrey has interviewed Ovesen. Her Books have forced a conversation about the sexual deviances of the entertainment industry fifteen years before the Me Too Movement. Ovesen’s work has consistently been included in Gender, Women’s, and Hip-Hop studies curriculums at higher learning institutions nationwide.
In the world of book publishing, authors and publishers often collaborate to bring literary works to the masses. As part of this collaboration, the negotiation and handling of subsidiary rights play a crucial role. Subsidiary rights refer to the various additional ways a book's content can be utilized beyond its primary publication. These rights encompass a wide array of options, from serializations in periodicals to foreign translations and audio recordings. In this comprehensive guide, we'll delve into the intricacies of subsidiary rights and their significance in the publishing industry.
As the countdown to the New Year begins, writers around the world are contemplating their writing journeys, setting goals, and eagerly awaiting a fresh start. New Year's writing resolutions offer a golden opportunity to reflect on the past and envision the future. Whether you're a seasoned author or just beginning your literary adventure, embracing the blank page with thoughtful resolutions can pave the way for a year of creativity, growth, and accomplishment.
As the festive season wraps its magical arms around the world, there's a unique warmth that emanates from the heart of the bustling world of book publishing. In an industry fueled by creativity, passion, and the joy of storytelling, the holidays take on a special meaning for those who weave words into worlds.
Book royalties are a common term in the publishing world, yet for many, they remain a source of mystery. What exactly are book royalties, and how do they work? In this comprehensive guide, we will unravel the intricacies of book royalties, exploring their meaning, typical rates, calculation methods, and the impact of advances.
Book sales matter to publishers for various compelling reasons, from economic viability to supporting authors and fostering diversity in literature. The success of a book on the market directly impacts a publisher's ability to continue bringing the magic of books to readers around the world. So, the next time you pick up a book, remember that you're not just holding a story; you're holding the lifeblood of an entire industry.
In this presentation, we’ll dive into what happens after the big publication day. Your book is on the shelves, now what? We’ll talk about publicity & marketing, sales, and more. Plus, when is it time to start working on the next project (and talking about the next project with your agent and editor) and other ways to put your time and energy to best use once your book has officially launched.
Mark Gottlieb
Executive Vice President and Literary Agent at Trident Media Group
My name is Mark Gottlieb and I am an executive vice president and literary agent at book publishing’s leading literary agency, Trident Media Group in New York City. I attended Emerson College and was President of its Publishing Club, establishing the Wilde Press. After graduating with a degree in writing, literature & publishing, I began my career with Penguin’s VP. My first position at Trident Media Group, was in foreign rights. I was EA to TMG’s Chairman and ran the Audio Department. I am currently working with my own client list, helping to manage and grow author careers with the unique resources available to TMG. I have ranked highly in our industry among literary agents in overall deals and other categories.
’Tis the season of racing toward word counts, polishing final drafts, and setting ambitious—often impossible—New Year’s writing resolutions. Every December, writers look back at the goals they set on January 1st and feel the familiar pang of not having done quite enough. The pressure of the year coming to a close can feel strangely apocalyptic, as if the world itself is ending and the word count you didn’t hit is somehow the meteor responsible. It’s an exhausting headspace for anyone, let alone for those who rely on a nurtured imagination to create stories that matter.
This winter, I invite you to step out of the frantic swirl of productivity culture and take heart in the gentle wisdom of Arnold Lobel’s beloved series Frog and Toad.