Kenny Porter is a professional writer living in West Michigan. He's most known for content development, writing comics, copy, blogs, and fiction. He graduated from Grand Valley State University with a BA in Writing. The writing program at GVSU allowed him to create his own curriculum, which he used to focus on fiction, writing for the web, genre studies, and manuscript development. He started his career in writing during high school and has since gone on to publish short stories, write articles for online magazines, and has won the first Top Cow Talent Hunt for Writing.

Zach Wilcox is a cartoonist based in Philadelphia. He holds an MFA in Sequential Art from the Savannah College of Art and Design and a BS in Digital media from Drexel University. The goal of his work is to encourage young readers to get excited about art as a narrative tool and inspire future creators. When he isn't working on comics he enjoys time with his dog Finn and his three nephews.

Porter and Wilcox are the co-creators of the forthcoming graphic novel from Scholastic/Graphix, The Fearless Rider, in which a young girl and her pet ferret run away from home on their tricked-out bicycle on the first day of school to find her best friend who moved away and recapture her life before everything went wrong—pitched as a slice-of-life story with tone and setting of a Miyazaki film.

What do you enjoy about the comic book arts medium and what do you feel the graphic novel form of storytelling affords authors and creators?

KP: Comics have always been a part of my life and what I love most about them is that there are no limits to the kinds of visual stories you can tell. The great thing about original graphic novels is it allows you to break away from the single issue format of monthly comics to develop a pace that’s unique to the story. That’s something that Zach Wilcox and I are enjoying a lot with The Fearless Rider.

ZW: Graphic novels afford the reader a sense of control that you don’t get anywhere else. Being able to dwell on a panel or moment, or absorb a whole page at once, is such a unique and intimate experience. When you’re making something like that it’s sort of fun to imagine how the reader is going to interact with the work.

“I wanted to bring that same love of anime, manga, and live-action shows to Kara’s character.”

Have any anime/manga or comic book creators influenced The Fearless Rider, your forthcoming graphic novel? For instance, Hayao Miyazaki and Osamu Tezuka seem to come to mind.

KP: Miyazaki is definitely a huge influence on the tone of The Fearless Rider. I initially pitched it to Zach that way, as if it were a lost Miyazaki film about a girl who sets out to find her missing best friend. There’s also some influence of my love of Super Sentai and tokusatsu shows with the fake magical girl character Shinpi Rider that the main character adores. I grew up in a generation where Toonami was broadcasting these amazing shows from Japan that we had never heard of before, and I wanted to bring that same love of anime, manga, and live-action shows to Kara’s character.

ZW: Absolutely. I’m always finding new inspiration from other artists and people like Miyazaki really ignited my love for visual storytelling when I was young. The expressive nature of his work is something I’ll always be chasing.

“He lets the comic breathe and trusts the reader to immerse themselves in the story.”

The art of The Fearless Rider seems to be a mixture of manga influences, such as the gekiga or "dramatic" style of storytelling, often seen in the work of Tezuka. Your graphic novel also has many western influences, with inklings of ligne claire, the Belgium style of bold line comic illustration, often seen in Hergé's The Adventures of Tintin. How did you arrive at this style of art? Is it simply in vogue right now in comics, or has comic book illustration and storytelling been further globalized?

KP: From the start I wanted The Fearless Rider to have this kind of feel. I read a lot of manga and Franco-Belgian comics, so I’m always using those as an influence in terms of pacing and style. Also, Zach’s artwork completely fit the tone I was going for. I didn’t even consider anyone else for the project and called him right away with the idea.

ZW: The way Kenny addresses pacing and dialogue is something I really love. He lets the comic breathe and trusts the reader to immerse themselves in the story. I don’t know exactly how the style for the comic came about but I’m sure a lot of it has to do with his narrative structure and the world we’re building. Also, I love older comics like Tintin and Little Nemo!

Why a young girl's pet ferret as a character in The Fearless Rider...why not something more common, such as a cat or dog? Is there something more interesting or special there?

KP: I think it honestly has to do with my love of the movie The Beastmaster as a kid. He had a pair of ferrets named Kodo and Podo. I watched a lot of genre movies in elementary school and middle school, so I always thought that ferrets would make great adventure companions.

ZW: I always wanted a ferret when I was younger but that was a no-go from my parents, because apparently they have a bit of a smell. They are just so cute, who could care! I think it also fits Kara as she isn’t the type to have a basic pet. She’s unique in a lot of ways.

“...I’m still learning the ins and outs of the publishing world. It’s been a really exciting journey so far!”

How did you find your current literary agency and go on to get published with Graphix/Scholastic? What was the submissions process like?

KP: I found my current literary agency, Trident Media Group, after doing a Kickstarter for my original graphic novel Barnstormers!, which I created with artist Renny Castellani. I was contacted by you, Mark Gottlieb, during the Kickstarter and started developing a new project for the book market. From there, it was putting together the pitch with Zach and sending it out into the world. Graphix/Scholastic contacted us about the initial pitch and we fine-tuned the project from there.

ZW: I sort of let Kenny take the lead on this. The Fearless Rider will be my first published book, so I’m still learning the ins and outs of the publishing world. It’s been a really exciting journey so far!

Writing a graphic novel is so different from writing a miniseries or ongoing monthly title.

What do you feel the comic book publishing experience has been like with a larger independent book publisher like Scholastic, versus a direct-to-market comic book publisher such as IDW? Is the direct market holding comic books back?

KP: I’d say the pace is what’s mostly different. Writing a graphic novel is so different from writing a miniseries or ongoing monthly title. I enjoy both the traditional comic book publishing side and the larger independent book publishing side. Each has their own challenges and format that let me experiment with comic book storytelling.

ZW: I’m excited to work on a project I'm so passionate about for a long period of time. The struggle of smaller projects is tough because you spend so much time looking for work that you may not get as much done. I can’t wait to really sink my teeth into something more substantial.

“...I always let whoever I’m working with have their input in the storytelling process. It’s collaboration at every stage of the game.”

It is hard enough writing a story. Does also illustrating a story present its own set of challenges, or do you find that it is liberating in some way?

KP: Writing visually is a whole different skill set, so I always try to think like an artist (as best as I can) and I always let whoever I’m working with have their input in the storytelling process. It’s collaboration at every stage of the game. I’m just lucky to be working with someone as talented as Zach.

ZW: Kenny has been a blast to work with. He has a clear vision here and helping him to craft it is easier because of that. It’s always hard to bring a world to life but the back and forth of working with a writer takes a huge weight off my shoulders.

You get to be any comic book/manga/anime/video game character from whichever world of your choosing. Who do you choose to be and why?

KP: I would almost always choose to be a Green Lantern. Having that power ring and being able to fly through space and create insane constructs would just be too much fun. I recently wrote a Guy Gardner story for DC Comics and it was a dream come true to be able to play in that pocket of the DC Universe.

ZW: I’d say Link from The Legend of Zelda. The design of those game worlds are so immersive and surreal. Plus that outfit is tops!

“If you do great work and put yourself into your stories then people will resonate with that and will want to share them as well.”

Might you be able to share any advice with those still hoping to get their graphic novels published?

KP: I would say find a collaborator that you really gel with creatively, put your heart and soul into the book, and worry about making a great comic before worrying about publishing. If you do great work and put yourself into your stories then people will resonate with that and will want to share them as well.

ZW: Just create. As much as you can, as often as you can. Keep putting your creative energy out there and don’t be afraid to make connections. Rejection is a huge part of life so don’t let that stop you! Also, try to keep your stories small at first. Short sixteen page chunks are a great way to work and create a varied portfolio.

What can we expect next from the world of The Fearless Rider?

KP: I definitely have ideas for follow-ups and spin-off stories, even if they don’t directly connect with the main thread. The road is always wide open for more adventures.

ZW: I really want a one-shot of the Shinpi Rider character from the book. A fictional super sentai warrior with over the top action and drama! A guy can dream, can’t he?